. .. IC Contact | Duplicity .. .

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CW: passive suicidal ideation

[konstant]

It is a big ask. It would be a big ask at any time, with K's conditioning to be cautious of being asked about such things as preferences, as wants, as hopes, as dreams. To come up with an answer that is believable and human, but not too human. Unique, but not too special.

He misses his life in Los Angeles. There are wonders here, yes, and he will never, ever take that for granted, so perhaps it's how he's programmed or perhaps it's what he learned but it doesn't really matter because it's what he feels regardless. He misses his home, and his absolutes, and his clearcut track of what to do, how, when.

Except that's just nostalgia, isn't it? None of it was clearcut and he knew that by the end. Nothing turned out to be the way he'd always believed it to be, the way he'd been told it must be. He was no one - a rare replicant, yes, an expensive one, but still a replicant - and then he was someone's son, wanted, loved, and then he was even less than no one. Officer KD6-3.7, welcome beside no one, no past, no future, nothing.

Christ, why couldn't he have just stayed there on the steps in the snow, bleeding out, ready, done? He closes his eyes, and takes another long draw off his cigarette, wishing he had an answer but he doesn't.

He doesn't have one, so what he murmurs is low and to himself - "A blood black nothingness began to spin." - and lets it seem like calm.

[cryfrustration]

There is, at some point, on some level in life, a destitution--not something material but something subjective. It's a sort of absolute, something that Vrenille has witnessed in others, something that he's encountered in himself, and something he recognises well enough to know now that not being human hasn't exempted K from encountering it all the same.

He's not surprised, therefore, that there's no answer. Or that in place of an answer there's the recitation, the return to this script that has anchored K's whole existence. His touchstone, familiar now not just because Vrenille's heard him echo lines of it, but because he can remember from when it was shared in his memory.

And so, because there's little here he can offer beyond his presence, his ear, his attention, he murmurs back like he's sharing in a mantra, lending himself to it. He may not remember the whole thing, but he remembers the line that comes next: "A system of cells interlinked within cells interlinked within cells interlinked...within one stem."

[konstant]

K hates the script. Words rubbed in his face, dangled before him like a piece of bread before a starving man but that the price for reaching for is death. Words he had to learn the meaning of - not just the definition but the real, weighted, visceral meaning of - so he could say over and over and over again no, I do not have this. No, I do not want this. There is no soft animal in this body to love what it loves.

K needs the script. It is the constellation of who he is, a smattering of data points connected dot to dot to dot that when stepped back and viewed as a whole reveals him. A sounding board, the limits of sonar, the pieces of him they expect to find if they read between the lines long enough, hard enough, no more and no less.

K loves the script. It ends on hope, and maybe they programmed him to feel that way but he still feels that way, still thinks of it like others think of a middle name: something they don't reveal to just anyone for any reason, that exists nonetheless, fleshing out in a measurable way who he is. What he is.

He has never heard a human echo his lines back to him. The words were programmed into him from the beginning, and the only pieces of it the humans ever bother with are the prompts, directing him to which stanzas and lines he's to present today, which desert to walk on his knees repenting. It surprises him, and he looks across at Vrenille, studies him like he hasn't since he came in, the calculating, searching gaze that more than half of the sixty-three replicants he retired over the course of his activation saw from him.

And then, he nods. Then, he takes another draw on the cigarette in his hand, lets it out, and slouches down on the couch until his knee falling wide leans against Vrenille's and his neck is stable on the back cushion. Then, he closes his eyes and breathes.